Skip to main content
REDES – Research & Education in Design TENDA
← Back to the list
dt_faul_2015_rolo

Olhar | Jogo | espírito de serviço

Sebastião Rodrigues e o design gráfico em Portugal

Name
Elisabete Rolo
Year
2015
Institution
Lisbon School of Architecture Universidade de Lisboa
Supervisors
Maria Gomes
Discipline
Communication Design
Scope
Design History
Taxonomy
Phenomenology
Type
Theoretical
Language
Portuguese
Wordcount / Pagecount
212,970 / 687
Joint supervision
No

Study of the work of Sebastião Rodrigues

Research Process (5 methods)

1. Literature review N = x
Exploratory Qualitative

x

2. Document analysis N = 600
Generative Qualitative

Examples of Sebastião Rodrigues work

3. Artefact analysis N = 50
Generative Qualitative

Examples of Sebastião Rodrigues work

4. Comparative analysis N = unspecified
Generative Qualitative

Comparison of Sebastião Rodrigues with contemporary international peers

5. Interview N = 7
Generative/Evaluative Qualitative

People who worked with Sebastião Rodrigues

Knowledge Transfer & Exchange

Knowledge Exchange (PhD Process): Produced with input

IK&T Academia Design Practice Society
Context Yes No No
Vision No No No
Means No No No

Recommendations (7)

R322 Theoretical & Conceptual Evaluation, Monitoring & Impact Priority: High

Conduct in-depth individual studies of specific aspects of Sebastião Rodrigues' work, especially his use of color, typography, and ethnographic references.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
High
R323 Theoretical & Conceptual Dissemination & Knowledge Mobilization Priority: High

Investigate the relationship between Sebastião Rodrigues' graphic work and fine arts—especially drawing and painting—in order to identify artistic movements and creators that influenced him or shared a similar visual language.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium
R324 Theoretical & Conceptual Evaluation, Monitoring & Impact Priority: High

Develop more exhaustive international comparative studies between Sebastião Rodrigues and major modernist designers, including Paul Rand, Alvin Lustig, Saul Bass, Tom Eckersley, Franco Grignani, Raymond Savignac, and Celestino Piatti.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium
R325 Theoretical & Conceptual Evaluation, Monitoring & Impact Priority: High

Investigate the alignment between Rodrigues' 'clean' aesthetic and design movements such as the International Typographic Style, the classic phase of Jan Tschichold, and Nordic design, especially from Finland.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium
R326 Evaluation, Monitoring & Impact Theoretical & Conceptual Priority: Medium-High

Undertake a deeper contextual and comparative investigation of Sebastião Rodrigues' period in Brazil in order to understand its significance in his trajectory and visual development.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium
R327 Theoretical & Conceptual Evaluation, Monitoring & Impact Priority: High

Compare Sebastião Rodrigues' work with that of Portuguese designer Carlos Rocha, especially regarding the 'cleanliness' of graphic objects and the structural consistency of brand designs.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
High
R328 Artifact, System & Service Design Dissemination & Knowledge Mobilization Priority: High

Develop dedicated research on Sebastião Rodrigues' book covers, treating them as a field of enormous relevance at the intersection of editorial design and illustration.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium