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dt_faul_2012_gaspar

A provocação dos sentidos no cartaz de divulgação da arte contemporânea em Portugal 1989 - 2009

Name
Ana Gaspar
Year
2012
Institution
Lisbon School of Architecture Universidade de Lisboa
Supervisors
Fernando Moreira da Silva, Cristina Tavares
Discipline
Communication Design
Scope
Emotional Design
Taxonomy
Praxiology/Phenomenology
Type
Theoretical
Language
Portuguese
Wordcount / Pagecount
122,850 / 390
Joint supervision
No

The specific mechanisms of emotional design in the poster for the dissemination of contemporary art in Portugal.

Research Process (9 methods)

1. Literature review N = x
Exploratory Qualitative

x

2. Document analysis N = 40
Generative Qualitative

Cultural institutions (Serralves and Culturgest) exhibition posters

3. Interview N = 6
Generative Qualitative

Poster designers

4. Artefact analysis N = 40
Generative Qualitative

Cultural institutions (Serralves and Culturgest) exhibition posters

5. Tool development N = 1
Generative Qualitative

Toolkit for developing specific mechanisms of emotional design

6. Usability test N = 7
Generative/Evaluative Qualitative Observational

Toolkit testing by designers

7. Interview N = 1
Generative/Evaluative Qualitative

Neurologist

8. Usability test N = 6
Evaluative Qualitative Observational

Toolkit testing by designers

9. Usability test N = 8
Evaluative Qualitative Observational

Toolkit testing by designers

Knowledge Transfer & Exchange

Knowledge Exchange (PhD Process): Produced with input

IK&T Academia Design Practice Society
Context No No No
Vision No No No
Means Yes No No

Recommendations (3)

R69 Evaluation, Monitoring & Impact Theoretical & Conceptual Priority: High

Investigate the impact that unpleasant or provocative images have on receivers in the context of contemporary-art posters.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Medium
R70 Dissemination & Knowledge Mobilization Process & Organization Priority: High

Study the future, destination, and status of the contemporary-art poster as an exhibition memory object, collection object, and heritage artefact requiring preservation and archival safeguarding.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Indicative
Feasibility:
Medium
R71 Theoretical & Conceptual Methodological Priority: High

Investigate future brain mechanisms involved in the selection of provocative images and explore how this knowledge could be applied in everyday visual communication.

Scope:
Macro
Time Horizon:
Long
Evidence Strength:
Exploratory
Feasibility:
Low-Medium