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dt_faul_2011_albuquerque

O traje feminino e a moda através da pintura

A burguesia do realismo à belle époque

Name
Maria Albuquerque
Year
2011
Institution
Lisbon School of Architecture Universidade de Lisboa
Supervisors
Maria Gomes
Discipline
Fashion Design
Scope
Design History
Taxonomy
Phenomenology
Type
Theoretical
Language
Portuguese
Wordcount / Pagecount
153,090 / 486
Joint supervision
No

Study of the costume and fashion of the female bourgeoisie through painting

Research Process (2 methods)

1. Literature review N = x
Exploratory Qualitative

x

2. Artefact analysis N = unspecified
Generative/Evaluative Qualitative

Artistic depictions of clothing

Knowledge Transfer & Exchange

Knowledge Exchange (PhD Process): Produced without exchange

IK&T Academia Design Practice Society
Context Yes No No
Vision No No No
Means No No No

Recommendations (5)

R20 Dissemination & Knowledge Mobilization Theoretical & Conceptual Priority: High

Use painting—not only fashion plates—as a primary pedagogical and research source for studying nineteenth-century costume and fashion, especially where texture, color, brilho, volume, and accessory detail matter.

Scope:
Meso
Time Horizon:
Short
Evidence Strength:
Indicative
Feasibility:
High
R21 Methodological Evaluation, Monitoring & Impact Priority: Medium-High

Refine and extend the analysis/cataloguing sheet used in the thesis so that paintings can be studied systematically as documents of costume, fashion, interiors, and social life.

Scope:
Meso
Time Horizon:
Medium
Evidence Strength:
Indicative
Feasibility:
Medium
R22 Theoretical & Conceptual Dissemination & Knowledge Mobilization Priority: High

Recover and study non-canonical Realismo Quotidiano / peinture de genre artists as key documentary sources for costume and fashion history, beyond the usual canonical avant-gardes.

Scope:
Meso → Macro
Time Horizon:
Medium
Evidence Strength:
Indicative
Feasibility:
Medium
R23 Dissemination & Knowledge Mobilization Process & Organization Priority: Medium-High

Treat painting museums and collections as research infrastructure for studying social life, dress, and fashion history—not only for exhibiting and studying art objects.

Scope:
Meso → Macro
Time Horizon:
Medium
Evidence Strength:
Indicative
Feasibility:
Medium
R24 Process & Organization Theoretical & Conceptual Priority: High

Build stronger interdisciplinary and pedagogical bridges among History of Costume, Fashion History, and nineteenth-century Painting, including study of the reciprocal impact between Art and Fashion.

Scope:
Meso → Macro
Time Horizon:
Medium
Evidence Strength:
Indicative
Feasibility:
Medium-High